Posts from huemagazine

ON THE COVER
Winter 2017

The soothing, textured painting on this issue’s cover is no oil on canvas—it’s made of L’Oréal Paris lip colors, composed by Roger Cabello, Photography ’85. Cabello is an abstract artist who has photographed cosmetics for magazine editorial and ad campaigns since 2000. For this issue, he used a range of products developed by FIT alumni,…

“I COULD NOT DARE TO BE ONE MORE MAN TO GIVE HER ORDERS.”
Trupal Pandya, Photography ’16, trained his lens, and his ear, on refugees in the Middle East

In January 2016, the United Nations Development Programme sent Trupal Pandya, Photography ’16, to refugee camps in Iraq to document the struggles of the thousands displaced by ISIS. Over the course of one transformative week, he took several striking portraits and listened to the refugees’ moving stories of imprisonment and abuse. Here he shares one…

FASHION PLATES: 150 YEARS OF STYLE
An excerpt from a recent book by Special Collections associate April Calahan ’09

PLATE 129: La France élégante, c. 1885. G. Gonin (artist). PLATE CAPTION: La France élégante et Paris élégante réunis. Offices: 3, rue du Quatre Septembre, Paris. Ensembles by Madame Pepouey, 6, rue de Provence. Trimmings and embellishments by the House of J. Toche, 45, rue Turbigo. Perfume from Oriza L. Legrand, supplier to the Court…

The French Connection

The late ’50s and early ’60s was one of the most groundbreaking periods in fashion history, an era of relaxed, youthful designs. Many books and exhibitions about the era position London as the center of innovation, but Paris also played a significant role. Paris Refashioned, 1957-1968, in The Museum at FIT from February 10 to…

A Mental Map of Venice

Venice Re-Mapped, an installation by Johannes Knoops, associate professor of Interior Design, was shown from May to November 2016 at Time/Space/Existence, at the Palazzo Mora, a Venice art gallery. The exhibition was a collateral event at the 2016 Venice Biennale of Architecture, which is considered the most important international exchange of architectural concepts. Fascinated by…

A Tour of Jewish History in the Garment District

In Daniel Levinson Wilk’s course New York City and the Invention of America, which examines capitalism in the city through the 19th and 20th centuries, students lead tours that delve into a slice of the past. Levinson Wilk, associate professor of American History, believes that developing a walking tour is a model for writing essays:…

DEBORAH FEINSTEIN BIGELEISEN
Textile Design ’69

Deborah Feinstein Bigeleisen became a painter in 1998 after 18 years of running a company that gave European textile designers full-time representation in the U.S. Her hyper-realistic depictions of flowers, mostly roses, gardenias, and lisianthus, are painted in her signature palette of eight colors, using the layered glazing techniques of the Dutch masters. Her particular…

GISELA O’BRIEN
Patternmaking Technology ’78

Gisela O’Brien was born in Germany; her education was interrupted by World War II. She found her way to FIT in her 40s and built a career designing children’s and women’s wear, some of which was sold at J.C. Penney. She has spent her retirement thus far making jewelry for her church bazaar and hats…

WIDE OPEN SPACES
Luis Valcarcel
Interior Design ’84

After 20-plus years designing retail spaces for Saks Fifth Avenue, Neiman Marcus, and Harrods—including a four-year stint at Nine West—Luis Valcarcel switched his focus to offices. As senior associate design director at Ted Moudis Associates (TMA), he oversees a team of interior designers who work mainly on the offices of financial companies, from big banks…