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Aian Raquel. Photo by Kim Angela Santos.

Exhibitions and exhibition designers shape the way we see the world. I grew up in the Philippines and worked for the tourist and creative industries on behalf of the government there. My capstone project, an exhibition that explores the deeply problematic Philippine exhibit at the 1904 World’s Fair, is a proposal for the Smithsonian’s National Museum of the American Indian. (This venue allows us to explore parallel experiences between Native Americans and Filipinos during American territorial expansion, adding a crucial historical perspective to both narratives.) At the fair, Filipino people were displayed to illustrate so-called “stages of civilization,” and portrayed as “savages” in contrast to Americans. The exhibit was used to justify U.S. colonial rule in the Philippines. The fair also marked the centennial of the Louisiana Purchase, which displaced Native Americans, contributing to colonial narratives.

In my project, I aim to engage viewers not only with the darker aspects of this history but also with the beauty of Filipino culture. If your material is too difficult, people disengage, so I want to include a number of object-based interactions, particularly Filipino crafts. Human beings are naturally makers, so highlighting handmade works provides insight and reminds the audience of the makers’ humanity. Through lighting, music, and graphics, I seek to evoke a sense of wonder while encouraging reflection on the lasting impact of colonial exhibitions. The 1904 fair also signaled the beginning of Filipino migration to the U.S., and my capstone will highlight this important, though often overlooked, history. My goal is to create a space where visitors can meaningfully engage with these events while appreciating the cultural richness of the Filipino people.